Drawing: Faces & Features: Learn to draw step by step by Debra Kauffman Yaun

By Debra Kauffman Yaun

Effectively drawing the human face is likely one of the so much hard but lucrative creative studies. during this step by step e-book, Debra Kauffman Yaun invitations you into her creative global as she indicates you the way to attract numerous pics in pencil. She stocks her own tools for rendering the human face in all its expressiveness as she introduces information and methods for forthcoming infants, young ones, young children, and adults of every age. The publication comprises in-depth details on particular facial expression in addition to precise, step by step workouts that discover how one can improve whole images. And the wealth of lovely, inspiring examples make sure that Faces & good points might be a great addition to any artist's drawing reference library.

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On the sanded board I applied a hard pastel and turpentine underpainting. Using a limited palette of black, white, and warm and cool grays, I began my pastel by referencing my value study. Soft and hard pastels are layered to create the depth and the mood of the composition. The hard pastels over the soft pastels blended the edges and lightened the background. ” • KATHLEEN MCDONNELL THE EMBRACE. JAMES W VOSHELL Graphite pencils on paper / 48" × 20" (122cm × 51cm) I noticed this tree and vine along the roadside on one of my nature walks.

I found it quite interesting that a number of the contributors spoke about the parallels in art between physical (spatial) depth and emotional depth. Artist ARINA speaks of the limitations of the small flat surface plane, then adds, “But once I start, a miracle occurs and all the limitations have gone; there is neither a flat nor a limited surface anymore! ” David Hardy speaks of capturing the “life force” and “personal feelings" that are uniquely expressed by his model, though he employs a classical atelier technique that includes modeling the form with great sensitivity in order to create lifelike dimensionality.

A limited palette of acrylic washes including white were used over the markers, then final markers were used to accent and strengthen the drawing. ” • SHIRLEY CLEARY MORNING MIST. KATHLEEN MCDONNELL Pastel on Wallis sanded pastel board / 24" × 18" (61cm × 46cm) The mood of the landscape is far more important to me than specific details. After a heavy rain, early morning mist brings in its ambience. Trees always tell a story. I tried to create a soft, elegant, poetic mood through the graceful branches.

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